following the massive squeeks and kaoss ep by active sense the pressure was on to keep the bar high! next up on immigrant records we present monoblock, the first of our digital artists to make their way onto vinyl. since their la otra cara del enano ep released on immigrant digital in february they have since been snapped up for releases on freak n chic and cynosure. their debut immigrant ep was so well received we decided to create a remix ep for vinyl. the crazy garden dwarf is back, this time with his mutated friends

was smart & bedächtig anfängt wird zum huu erlebnis. der k2 recke & der audiomatique recke teilen sich die seiten und machen zusammen ein fässchen auf

after the phenomenal success of the strings of live 12 inch this is the second single of our most important album of the year - the upcoming christian prommers drummlesson album. listen to this stunning version of isolee all time classic beau mot plage or just dance! completely written and produced by christian prommer on his own, the track rex drum has an interesting history. christian got the complete drum set from curt cress who did play the drums for boney m, snowball, passport and donna summer, just to name a few, on this set. a piece of drum history. rex drums was created spontaneously when christian prommer played on this set for the first time ever.. this mid-tempo disco track is getting massive supports by djs like alex barck/jazzanova, michael reinboth/compost records and dj kaos to name a few

distant musics jon cutler delivers a devastating remix of jovonns losin my mind for the next release on coco soul. jon keeps things deep and heavy whilst sonically reminiscing back to days of cut up acid house vocals and wild pitch string arrangements. losin my mind was the b side to jovonns genre defying neptune released earlier this year on coco soul.

slovenian based techno label eternal presents the second release. the first cut by sequan was a true success and many were asking for more. this follow up is a proper jaw-breaker with its nasty bass. these tracks slowly crawl up your spine and once they have reached you neck these are bound to rock your head from back to front like a true headbanger

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

firm fave of: ewan pearson, agoria,fabrice lig, ali schwarz, shinedoe, ben watt, jimpster, umek, bodzin !!! pele is back, this time in cooperation with shokh aka dave shokh, dipolder label owner and kiddaz.fm ambassador. peles last release >childhoods end< is one of connaisseur most successful releases so far in 2007, with plenty of licensings for many important summer compilations. thumbs was already released as a limited 250 copies white label release in february this year. finally this great rumbling techno track found its way to connaisseur, to be presented to a bigger audience. >thumbs< is a squeaky, twittery and kickin minimal techno track packed with a bunch of little astonishing moments. already featured on patrick chardronnets grand cru mix, this is more than a perfect mixing tool: a stripped down minimal hymn, no redundant emotions, strictly rhythm a quality ass-shaker! simon baker leeds-based shooting star of 2007. after his amazing releases on playhouse, connaisseur, viva and his own imprint infant, he drops this massively bouncing techno monster of a remix. kind of chicagoesque, kind of daft and massively pushing pure peaktime madness!

finest disco flavoured deep techhouse 4 tracker !! motor mouth are fresh ! new electro house disco masters from stuttgart germany. martin welzer ( dj friction, freundeskreis ) and philipp könig (blendbrank, kris menace ) are well known for their fat disco productions on their own and various hot remixes they did the last years for labels like !k7 and global underground. the two originals are rockin old shool disco with housy deepness and straight forward beats like we know from acts like spirit catcher or star you star me. no wonder we loved it straight away and had to sign this new and exciting project for our players paradise imprint. if this was not enough we topped the whole thing off with 2 extra full on remixes by our mixmaster james flavour and a reinterpretation of motor mouth member dj friction himself who delivers a fine piece of nu skool disco for the leftfield dancefloors.the james flavour checker mix is as always deep ! with his typical house groove we know from tracks like test 5 and da ride.

lucy lee quality recordings is proud to present uno the second single of ebbro project of gianluca pandullo. gianlucas other projects include i robots (irma) and nemesi (relish). i robots came into the light with the vv.aa. italo electro disco underground classics, together with the nemesi tracks, they have immediately gained support among the most important djs around the world and from specialized music press, i robots frau (produced together with und from trapez records) was included on ivan smagghes fabric 23 mix cd. later, kid alex produced 2 remixes of the single for his berlin based label, boys noize. gianluca pandulo also released cosmica on relish which was remixed by the famous neo disco duo lindstrom & prins thomas.

nachdem er magda, ricardo villalobos, luciano & co mit der >kreiskollaps< ep gluecklich machte, bin ich gespannt was nun passiert!?.. fette platte herr burkhardt

this release shows the gratitude to one of the legendary labels and techno artists, ferox and label owner russ gabriel. the first release on this highly influential label was back in 1993. after listening to the infamous mixmag cd by richie hawtin, pariter label owner yossi amoyal was hypnotised by the way these ferox records sounded. ferox was one of the first uk techno labels. their sound was inspired by detroit techno but what they created was something completly new

was bei >metza< anfangs noch als schleichfahrt durchgeht, wird im laufe der umdrehungen immer mehr zum strahler. >citric< dagegen tritt selbstbewusst & forsch auf den plan

nice price deal !!! lucky was already the number 1 dance single in canada for 2 weeks in a row. amazing vocals by cheyne coates, singer of the madison avenue hit single dont call me baby. exclusive remixes by smax & gold and hoxton whores

adam beyers drumcode imprint is about to go through something of a rennaissance with some simply sublime material about to hit the streets this autumn/winter. traditionally his labels would always have a very swedish bias - something which has now opened up to include new exciting producers from further afield. one of these producers who adam greatly admires is perc who has delivered this devastating 3 tracker for drumcode. perc has his own label perc trax and his recent remix of dj hell on kickin records was a firm favourite in adams sets for many months….

as hard as it might be to believe, there was a time when the word trance did not mean dutch guys dressed in white wearing oakleys.. it also didn t mean israeli pre-military dragon-stick wielding reefer addicts.. actually, there was a glorious era where trance was a verb rather than a noun.. im talking about when you got in a trance, at lets say for example: the golden eagle in munich in 81, in a white-tiled sauna-motif discotec, grooving to a 17 minute reel-to reel version of knights in white satin on your 2nd bottle of poppers while some guy named >wolfie< takes his modern ballet skills to the >next level<. if that sounds appealing.. and i know it does.. then allow me to introduce you to compuphonic and kolombo.. a throwback to the days of romance-trance of the highest order. deep, sensual (yes, i used the word sensual) electronic grooves so potent that we were forced by a coalition of competitors labels to only release some of them digitally to restrict their awesome power to trip people out. these tracks make other tracks seem like mindless shallow shit. that includes some of turbos other releases.

hat schon dj support from ricardo villalobos !!irgendwie foundsound-mässig, was mihalis hier macht. dazu eine prise house & einen ripperton mix. fertig

wat is dat denn? was für ein brecher. techno, wie es besser nicht sein kann. zugreifen leute!

nice price deal !!! peter visti - from music for dreams fame - offers us again an incredible ep on eskimo after his wonderful debut >balearic love< that was played by everyone from prins thomas to tiga

incl great pacou remix !! new fresh stuff from oscar mulero

check !! this stunning track was already a secret hit at miami winter music conference and sonar festival and was played by the bbc radio one shows of pete tong, annie mac and gilles peterson. other supporter are dj hell, miss kittin, tiefschwarz, michale mayer, laurent garnier, ame, rainer trueby, agoria and many many more

detroit underground is proud to present its eighth release featuring berlin-based producer litwinenko aka preed, known from previous releases on the indie-electronic label kitty-yo. through a combination of influences from acid to freaky techno backed up by his signature idm-electro sound, litwinenko shows us he is just as smooth on wax as he was on the ice. also including 8 looked grooves

the first release on on tha floor music reached the top of the dutch dance charts and was featured as hot new release in the worldwide broadcasted radio show of roger sanchez release yourself. on tha floor music now brings you dekky & sebastian d. with the result of their first but definitely not last collaboration. with olav basoski and silverius supporting on the remix, it will be very hard to keep your body under control on tha dance floors worldwide. latin electro beats and phat bass lines are the key words to this essential release

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

joey returns to his own jackin tracks imprint for a lovely 4 tracker, this time re-releasing two of his classic tracks and showcasing two new ones. for anybody who may have missed it, joeys >sunrise ep< on freaked records uk came out in 2004 and was widely regarded as one of the best records in his discography. the standout was >memories< featured here beautifully remastered on a1. it has since become a house classic, and also a very hard-to-find record. on a2 is >the devils groove<, a twisted cut perfect for those drugged out moments at 5 am in a very dark room. flip for b1s >country life,< nice dancefloor-aimed material with a massive bassline and soulful male vocals, this one was surely inspired by derrick carter and achieves that sound perfectly! and lastly is >45 funk< – the full a-side track on the original freaked release - old-school youngman sound, undeniably funky with a wicked keyboard solo thrown in for good measure

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

wer auf pumpende beats und allgemeine duesternis steht ist hier genau richtig !! obendrauf gibts ein track vom cadenza act andomat3000/tip

nick solé who did the very first mojuba is back, like he never was away! if you ever asked yourself how deephouse should sound like, now you have the chance to experience. the a-side is an epic ocean of the deepest housesounds which will blow you away with its hypnotic organic feel and harmony! the b-side is dancefloor shaking percussion drum track with a catchy dubby atmosphere! get it while you can

dolles ding was minilogue hier von sich gibt. während die beats zielstrebig aber locker aus der hüfte kommen, wird obenrum das keybord beackert, bis es sich anhört wie ein marsianischer jazzer. b-seitig gibt es das ganze noch als beat- und dub-version

this is volume 2 of 7th citys classic series. it features one of seventh citys best selling releases, john tejadas funky anthem >timebomb<. when originally released in 2001 it became a massive track played in all the top clubs worldwide. despite having a incredibly prolific catalog of releases, timebomb still remains one of john tejadas biggest and best known records. also included is a special edit of paris-based producer jean guillaume cabannes (better known just as cabanne) >cant stand<. as with so many seventh city artists, his release on the label established him with a wider audience and he continues to have success to this day with his own-imprint minibar and as well with his collaborations with ark and david gluck. this version of >cant stand< is an edit by daniel bell, which emphasizes the tracks loopy flow. the original version of the track was released in 2002.

new & exclusive tracks by: anthony rother, billy nasty, umek, xenia beliayeva, internal sync, chrisopher kah & frank kusserow!! for anthony rothers label datapunk, the year of 2007 is predominately characterized with defining the labels position. the recently released 3-cd compilation >we are punks<, which has recapitulated the labels successful path to date, was not the only thing to do this. the released double ep >various punks vol. a< now also provides consideration for the future and for the next generation of datapunks. as well as label boss anthony rother and billy nasty, frank kusserow and xenia beliayeva, the producers who have already made an appearance at datapunk, it is now necessary to welcome three new faces at the same time on >various punks vol. a<

>duntisbourne abbots...< is u-ziqs first new album for four years and first new material released since 2005. its a more reflective body of work compared to the whirlwind of chaos that was bilious paths, introspective and rather melancholic, u-ziq revisits his roots in the early 90s ambient techno scene pioneered by, among others, the black dog, aphex twin and himself.

tango saty is a crazy dancer from klaus schulze. sounds huge on 12 inch and causes a storm of freaky dancing on the more discerning dancefloors with a wonky yet eminently groovy rhythmic structure and synth brass riffs that echo around in your head for days. when the bass drops its smiles all round. b shock r.e.r.b. is a classic piece of doomy yet uplifting cosmic elettro from london town that was a baldelli and loda play. getting increasingly hard to find on the original 12 inch and even if you do, this one is mastered with more weight and clarity

remixes by woody & dj t.!! dj t.s >the dawn< 1st appeared in may of this year, and it was a 12inch of typical poise, refinement and dancefloor effectiveness from the get physical boss. now its time for the remixes... first up, t. himself tackles >jam pot<. the resulting track is the dancefloor monster that >jam pot< always threatened to be - subtle, intelligent, but unswerving in its intention to rock the floor. for a fresh treatment of >the dawn<, t. hands over the reins to woody, the legendary former resident dj at berlins e-werk and a true architect and soldier of the citys techno underground.the result is undoubtedly psychedelic, but the powerful, minimalist drum patterns and sheer production panache mean this will be a big hit with the feet and hips as much as the mind. this is a remix 12inch you cant afford to miss - two very different productions which will stimulate both cerebrally and physically. the dawn is here!

nice price deal !!! electro flavoured hip house action with 2 remixes by justin harris on john larners 2 cool 2 dance feat redeye that originally was releasee on dotbleep. a must have

if zox was a sculptor, his works would be angled and polished, simple and magically effective. no sound on this record (which is called >more fluff<, which astonishes me) hangs around too long between the acrylic clear beats, the square waves are bellied and cold as vodka from an iceberg, the higher frequencies refreshingly cool as hills in the highlands, and straight lines are the dominating theme by far. this is dance music in itself. the basses live in rich bounteousness which is strictly controlled, though. why boom it when you can bang it? perfect shapes, functional beauty and a refreshing taste will rock you.

phat blackhole shirt, wirklich was besonders, n?hte sind au?en

after the banging lordag 001 from terje & anders, the 19 years old terje bakke from bergen/norway returns with a solo-release on lordag. both tracks are displaying terjes unmistakable enthusiasm for warm and driving chords forming the linchpin of the tracks.on the flip we have two very strong remixes. the first one is produced by dirty doering together with donna k from berlin. he is a part of allyoucanbeat records from housemeister / otherfucker, so his remix is a kind of freaky electro stuff with cool rhythms and a catchy beat. blood & tears from karateklub is responsible for the second remix. his first ep was supported and played by chris liebing and pascal feos. the remix is an incredible hot peaktime burner

schwer überzeugende technogeschütze vom ex punk-rocker aus brooklyn. komplex, düster, durschlagend und nebenbei das beste was adultnapper bisher gemacht hat

the record was born too early, when house music was still very underground, so consequently it passed into house music history with only a very few discerning djs and collectors owning original us copies. in keeping with chicagos musical history, one of the unsung heros of house has been drafted in to keep the new versions feet firmly on the ground. craig loftis aka grand high priest who along with joe promised land smooth on keys! give the track a more understated could upstate from london back to chicago with 3 killa mixes

deadmau5 is a name this is on the tip of everyones tongues right now, with his productions garnering huge support from sasha, digweed, danny howells, laurent garnier, nick warren, tiga, deepdish, tiesto, armin van burren, nic fanciulli the list is endless! faxing berlin was one of the standout tracks on james zabiela & nic fanciullis one+one mix album, jaded now features on dave seamans new audio therapy

for a few months already, sub static boss falko brocksieper gradually intensifies his work on the own label again. with driving minimal-beats and melodic instinctive feeling the track >slap< from the >slap/happy<-split-ep with mia evolved into a gladly played hit, and also the following >esque ep< was not just a dayfly in the worlds dj-bags. in this phase the new 2-tracker >blackbox< is now brocksiepers ultimate confession to the dancefloor - fully functional without lacking his organic, trippy branding. the track >blackbox< presents itself as a dark, impulsive techno mover, ripped open again and again by intuitively placed accents, only to remind itself of its own irresistible drive and to cultivate it over the full length. meanwhile the b-side >off the rack< is toying with the idea of chicago house groove, driven by a rebelliously grumbling bootybassline and bleepy excursions into the world of weird soundscapes. on both tracks falko brocksieper celebrates the sign stimuli of techno, delightfully modest and coupled with his signature bubbly, sculptural sound.

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

this was released originally in 1988 feat the legendary leroy burgess. this release includes massive remixes by bobby & steve & james ratcliff and david harness on the flip a must have

incl mental overdrive (r&s) remix !! the second single from cato canari, who was born in norway and gets going for his project in tokyo these days. the 12 single consists of 3 brand new tracks and the latest remix versions of which originals were heard on his debut album >out of tune<

italian dj/producer remo is no newcomer to the international scene and to dance electric label, his black sabrina track was a massive hit throughout the hottest clubs worldwide. now he returns to huntemanns outlet presenting >mild steel< alongside his studio mate max cassan, and introducing a new project called: >sidechainers<. the title track is a huge arp-trenched killer with a big melody, stunning and spaced out efx and a certain dose of italo feeling. steel 24 on the flipside drives through the club like a heavy tank fuelled with acid. a big statement towards machismo and patriarchy – metaphorically spoken you know the deal ladies. remos music always has this special kind of presence and thats why we love it so much, ragazzi!

brommage dub is jesper dahlbäck and jean louis huhta.the two has recorded music together under this pseudonym since the mid 90s when the first releases came out on svek. in fact this year would be a perfect 10 year anniversary for this duo. this is the first release on their own imprint bromma, which is a part of stockholm 5 km west of the city. this was the home for jean louis during the early years of their produciton phase and which gave the duo their name. carbon oxide is a gas which was produced in the factory where jean louis huhtas studio now resides

metal on metal are three young guys who found themselves djing together at a small club in their home town of vilnius. 3 years later and the guys now run their own club in lithuania and are the only home grown act to share headline status with soulwax and the chemical brothers etc at festivals in the baltics.no front teeth is the first track they have ever recorded! it immediately started to build a word of mouth online with djs playing out the demo - one of these djs was kissy sell out who has been charting no front teeth in his top 5 for months.

volume two is the hot sequel to volume one, which was released in spring 07, and also follows megalift ep on planet mu and a cassette release on his own funbox imprint, >eurostar acid<. the style is techno / acid / house / drum and bass / experimental /ambient

marcus was created in the early 2004 by davy standaert, stephane matten and geert standaert, as a new essay to the electronic music scene. their first single >weekend in paris< was played during summer 2005 on fm brussel, and came over during fall on national radios such as studio brussel and nrj. a first support for the band as they had no record company at that time. in april 2006, they signed a first deal for an ep with dirty dancing records, the label from the wellknown discotheque. the ep including the track >f-bees< was released in december 2006